My design for the Jones Beach shows. The ticket art was inspired by the old pictures of Jones Beach when there was water between the stage and the audience, and the song Lizards. The original painting was ink, watercolor, and gouache paint. Prints are 11×14, signed and numbered, and limited to an edition of 100. Tickets are based on PTBMs, and the barcode links to the setlist on Phish.net!
My design for the Hartford show. I do not like to draw city skylines yet I keep doing them! I was inspired by the Connecticut Science Center, which instantly reminded me of the Rhombus from The Man Who Stepped Into Yesterday. The original painting was ink, watercolor, and gouache paint. Prints are 11×14, signed and numbered, and limited to an edition of 100. Tickets are based on PTBMs, and the barcode links to the setlist on Phish.net!
My design for the Bethel Woods shows. I’ve always loved drawing trees, and it seemed fitting for this venue. The original painting was ink, watercolor, and gouache paint. Prints are 11×14, signed and numbered, and limited to an edition of 100. Tickets are based on PTBMs, and the barcode links to the setlist on Phish.net!
Hometown show! These tickets were inspired by the song “Slave to the Traffic Light”, which is fitting since the Mann is near the Philadelphia zoo and the amazing view of the city skyline from the venue. And of course, there’s that Philly traffic, which anyone attending the shows got to experience on the way to the venue. This design is actually a throwback to my very first Mann print which was spray paint and stencils on braille paper. I don’t think any sold on lot, only sold 1 in my shop and ended up wheat pasting most of the ones I had left around Philly. When the opportunity for some Mann phan art arose, I knew I had to revisit this design. The original painting was ink, watercolor, and gouache paint. Prints are 11×14, signed and numbered, and limited to an edition of 100. Tickets are based on PTBMs, and the barcode links to the setlist on Phish.net!
Apologies for the lack of updates all summer! I’ve finally finished the series and will be posting all my ticket designs in the coming days.
My ticket design for the Bangor show in Maine. This is one of the few that wasn’t inspired by a song. I heard lobsters are sort of a big deal in Maine so I went for it! The original painting was ink, watercolor, and gouache paint. Prints are 11×14, signed and numbered, and limited to an edition of 100. Tickets are based on PTBMs, and the barcode links to the setlist on Phish.net!
I just added prints alongside ticket stubs for the Phish Mansfield run! Inspired by the song Scent of a Mule. The original painting was ink, watercolor, and gouache paint. Prints are 11×14, signed and numbered, and limited to an edition of 100. Tickets are based on PTBMs, and the barcode links to the setlist on Phish.net!
The first Sand contained Crosseyed and Painless teases from Mike and an Albert tease from Trey. Mike teased Dueling Banjos in Slave to the Traffic Light.
I’m happy to present my ticket design and print for Phish’s 3-night run at Deer Creek in Noblesville, Indiana. They are now available in my shop: joseeen.etsy.com. I’m currently working on setlist art, and hope to have all the Spring shows available in a week! A portion of ticket and setlist art sales will be donated to the Mockingbird Foundation. This summer, I am also participating in Phish.net’s Conditional Pledge, donating fifty dollars if they play the song(s) referenced in my art for each run!
Prints are 11×14, signed, and limited to an edition of 100. Ticket stubs include a postcard version, as well as other surprises!