My commemorative ticket stubs for Phish’s three-day run at the North Charleston Coliseum in North Charleston, SC. The artwork was a watercolor painting, inspired by the Angel Oak, a 500+ year old tree found in the state.
Each stub measures 2.75 x 6.5 inches (the same size as PTBM tickets) and is printed on coated 130 lb card stock by Fireball Printing in Philadelphia. The back features a spot to write down your actual seat/section. I will also include a mini art print/postcard with each order, along with other freebies while supplies last. Purchase here: https://joseeen.etsy.com/listing/4328202689
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Old habits die hard! Creating ticket stubs has taken up most of my time this year, forcing me to set aside the setlist art this year. While I still create them via commissions, I couldn’t help but create the MSG NYE Run setlists! These will be a smaller edition (only 25!) but are also available as digital downloads.
Fluffhead was unfinished. Trey teased Dave’s Energy Guide in Bathtub Gin. This show featured the Phish debut of hey stranger. Trey teased Heartbreaker in Ruby Waves.
Trey teased Super Bad in Weekapaug. The second setbreak music was comprised of songs referencing past Phish New Year’s Eve gags. Before the third set began, a barbershop quartet appeared with a singing telegram for Phish. The telegram said that at the stroke of midnight, it would be 40 years for Phish and to make a wish. Trey wished he had a time machine so they could do it all again. A cube descended from overhead and a time machine was revealed near Mike. The quartet activated the time machine and the cube played audio and video from past years of Phish. Dancers from various past new year’s gags appeared on stage as well as a wombat (from October 31, 2013). The wombat broke the time machine and Ghost began with dancers and characters (like Father Time from December 31, 1999, and the Famous Mockingbird from December 31, 1992) continuing to appear from the band’s past performances. Ghost featured Meatstick lyrics sung by the band as well as by dancers in different languages in a nod to December 31, 2010. The first Bohemian Rhapsody since December 31, 1996 (850 shows) featured the Late Show Gospel Choir singing on risers behind the band and Ghost quotes from Page and the choir with subsequent lyrics changed to reference Ghost. The first Jungle Boogie since December 31, 2003 (544 shows) featured the BD Entertainment Marching Band along with the choir. The marching band and choir were also featured in Wilson where a platform above Trey that had appeared for the entire New Year’s run descended and the clone that had been lying on the platform rose and was revealed to be a Tom Hanks actor from Castaway. Inflated Wilson volleyballs were then tossed into the crowd. During Auld Lang Syne, Phish briefly stopped playing and ate cake in front of the stage while the marching band and choir continued to perform. Carini featured several dancers in “naked dude” costumes emerging from a birthday cake in front of the stage and dancing and running around with security trying to catch them. The Theme from New York, New York was performed for the first time since December 31, 1997 (772 shows) and featured the naked dude dancers performing a kickline in front of the stage while adding vocals and Trey changing the lyrics to “if I could be naked there.” Piper contained Crosseyed quotes. During Tweezer Reprise, the wombat ran and danced across the stage. The post-show music was Goodbye Yellow Brick Road, which was a nod to Phish playing their 72nd show at Madison Square Garden, tying Elton John.
The first Sand contained Crosseyed and Painless teases from Mike and an Albert tease from Trey. Mike teased Dueling Banjos in Slave to the Traffic Light.
I am happy to share the first of many tickets and prints I have created for Phish’s 2022 summer tour! I had decided early this year that I wanted to create ticket stubs due to tickets going digital for most shows. This was upsetting to many people (myself included) who collected ticket stubs, especially the Phish Tickets By Mail (PTBM) stubs, which always featured amazing artwork.
I had previously created tickets for the April MSG Run, but it was a last-minute creation, based on the poster I had created. For the summer artwork, the tickets were the focus of the composition of the images. I originally planned to make available an uncut sheet version of the tickets, but later opted to create 11×14 prints using the artwork.
Tickets and prints are now available in my shop! I plan to continue creating setlist art as well!
This show was webcast via Live Phish. Carolina was performed for the first time since December 30, 2016 (103 shows). MFMF didn’t contain the “Myfe” ending. Trey teased Axilla in Scents and Subtle Sounds and Suzy Greenberg. The theme to Mission: Impossible was also teased in Scents. Limb By Limb was unfinished and contained a Divided Sky tease from Trey and This Old Man singing from Fish. Page teased the theme from Speed Racer in The Lizards. Suzy Greenberg also included a Saw It Again quote from Fish. Bittersweet Motel was played for the first time since July 6, 2016 (134 shows) and had lyrics changed to “halfway from Charleston to Pittsburgh.”
This show was webcast via Live Phish. Page teased Linus and Lucy in Nellie Kane. The Connection was last played on July 29, 2015 (171 shows). Trey teased No Men In No Man’s Land In Mr. Completely. The Little Drummer Boy was jammed in Crosseyed and Painless, whistled and teased in Dirt, and teased in the first Split Open and Melt.
This show was webcast via Live Phish and featured the Phish debut of Sigma Oasis. Trey teased Plasma and The Little Drummer Boy in Buried Alive. The Curtain was performed for the first time since August 28, 2012 (270 shows). After Midnight was performed for the first time since September 6, 2015 (153 shows). Trey quoted Sigma Oasis at the end of Soul Planet. Trey teased Sanity before Pebbles and Marbles. Chalk Dust Torture Reprise was performed for the first time since July 11, 2000 (524 shows), started as Chalk Dust Torture, and ended with a Plasma tease.
