You can feel good about an MSG run, especially in April! I just finished these setlists up. For the headers, I used my ticket stub designs, which are also available in my shop. Scan the barcode to link to the setlist on phish.net! I plan to create stubs for summer tour as well!
I’m excited to present my print for Phish’s 4-day April run at Madison Square Garden in NYC. Continuing in the style of the New Yorker covers, this print was based on the March 13th, 1978 cover, originally painted by Saul Steinberg. I recreated some elements of the original while altering others and included a few song references.
A small amount is available in my shop, and the rest will be available on 4/22 at the NYC PhanArt show at the Stewart Hotel
All the images were originally small gouache paintings which were then scanned and digitally arranged to create the final poster.
I was unsure if I wanted to base my poster on a New Yorker cover as I had done with the initial New Years’ MSG poster for the canceled NYE shows. I was getting many messages about it and eventually chose to humor the thought. I looked at hundreds of different covers trying to find something that would interest me and eventually came across one of Saul Steinberg’s covers. I found a grittiness in his work that encapsulates the feeling of New York City. I also enjoyed how it’s the polar opposite of my NYE poster.
The print measures 12×18 and is printed on 100 lb gloss cover paper, printed by Fireball Printing in Philadelphia. Each print is signed and numbered and limited to an edition of 200. Each print ships with bonus stickers, postcards, or prints added to each order. A portion from each print will be donated to Mockingbird Foundation.
Since tickets this year are digital, I decided to create some ticket stubs for the shows! A lot of people collect stubs, especially the Phish PTBM tickets, which contain amazing art. I based the tickets on the PTBM dimensions and even included a barcode that actually scans, and directs you to that night’s setlist via phish.net! At the moment these will only be available at the PhanArt show on 4/22, but I hope to get more made and available in my shop after the MSG run.
I am ecstatic to share my print for the Phish New Year’s Run at Madison Square Garden in NYC! This print is 12×18, printed on 100lb glossy cover paper. Prints are signed and limited to an edition of 200. Inspired by the New Yorker magazine, I sought to capture the sights outside MSG during the new year’s runs, often firsthand! I also included over 30 song references throughout the print. This print was comprised of over a dozen small gouache paintings, which were then scanned and digitally arranged.
The print is directly inspired by the May 25th, 1940 cover of the New Yorker, painted by Joseph Low, who created many covers from 1940-1980. While I did not initially plan to do a New Yorker cover, it was Low’s style for this painting that spoke to me. It felt familiar, but I knew I hadn’t seen this image before. I saw the possibilities of creating song references in this style, and went for it!
My biggest challenge in creating the painting was the lack of outlines. I’m fond of using outlines in my work, so this required rethinking my process. I would sketch up an image, darken the lines, and place it on a light table. I then placed a watercolor paper on top of it and would paint an image without lines! As I became familiar with Low’s style, I began painting without sketching first, and my painting started to get smaller. It felt very natural, and while researching more of Joseph Low’s work, I suddenly knew why.
I first came across the October 22nd, 1942 cover some time in elementary school. It may have been an issue of Scholastic Arts magazine or a framed cover in the library, but it was an image ingrained in my brain. I remember trying to replicate the style with markers, but never quite got it. I eventually moved on to other things, but that cover really stuck with me. Who would’ve thought I would rediscover these covers years later!
So, the reaction to my print was mind-blowing! I posted a picture of it when I got my test prints and was bombarded about how to get one. I decided to do a preorder of 50 prints which sold out instantly! My general on sale sold out within hours, so at the moment it is not available in my shop. I will have the remaining prints in the edition available at the PhanArt show at the Stewart Hotel on 12/30 during the New Years Run. I will have a small amount of Artist and Test proofs in my shop in early January. I will also have a surprise print that will be only available at PhanArt!
My final block print of 2019, created for Phish’s NYE run. The 14th in my yearlong series inspired by the work of Albrecht Dürer. This print was inspired by part of “The Tapestry of Michelfeld” (date ND) and includes several birds found in Phish songs, as well as Trey’s dog Marley. As I researched the image, I found it interesting that it was actually based off a tapestry made about a 100 years prior, this being a recreation of it. Prints are currently available in my shop.
It’s been quite a year working on all these block prints! I didn’t expect that it would take nearly all my free time, but it was a fun experience. For those asking, yes there will be a Dick’s Run linocut, hopefully before the end of the month. I had opted to not make one at the time, mainly since I was back at school teaching, and had too many other things on my plate.
As for what 2020 brings, I’m still not sure. A new year will bring a new theme and possible medium for my Phish prints, although I see myself going back to printmaking for some song illustrations or Grateful Dead inspired work.
 Phish debut.
 With lyrics changed to Ass Handed.
 Fish changed the “waste the day” lyric to “Guy Forget.”
This show was webcast via Live Phish and featured the debut of Evening Song and the Phish debut of 20-20 Vision. Trey teased Shade in Ghost. Dog Faced Boy was performed for the first time since October 24, 2016 (114 shows). Say It To Me S.A.N.T.O.S. contained Martian Monster quotes. Set Your Soul Free included an On Broadway jam. Trey teased and quoted Set Your Soul Free in Gotta Jibboo. Trey and Fish quoted Guy Forget at the end of Drowned. Chalk Dust Torture Reprise was played with Ass Handed lyrics and contained Guy Forget quotes. In Character Zero, Fish changed the “waste the day” lyric to “Guy Forget.”
This show was webcast via Live Phish. Beauty of a Broken Heart was played for the first time since December 29, 2016 (103 shows). My Friend My My Friend didn’t contain the “Myfe” ending. While My Guitar Gently Weeps was played for the first time since October 23, 2013 (234 shows). Trey teased No Men In No Man’s Land in Back on the Train. Trey teased If I Only Had a Brain in Bathtub Gin.
This show was webcast via LivePhish. The Ballad of Curtis Loew was played for the first time since October 16, 2016 (121 shows). The first Tweezer ended with a Let’s Go Blue jam and was followed by banter in which Trey talked about being repeatedly hit in the head with a pan and screaming on December 30, 1994 (the night of Phish’s first show at Madison Square Garden. This story was accompanied by sound effects by Fish and Page.
 Phish debut; with lyrics changed to “Send in the clones” and performed a cappella.
 Debut; only Trey.
Axilla featured the Axilla II ending and was followed by banter from all four band members continuing the pan story from the previous night’s show and ending with a mention of pan flute extraordinaire Zamfir. Richard Glasgow (a.k.a. Dickie Scotland) then came onstage appearing as Zamfir, holding both a pan flute and a pan. The third set opened with the Phish debut of Send in the Clowns, sung a cappella and with lyrics changed to Send in the Clones. For First Tube through Tweezer Reprise, each band member performed on separate moving platforms hoisted above the stage as dancers dressed as their clones performed onstage and provided additional vocals throughout the set and encore. Trey’s platform became stuck for the majority of the set and he had to be rescued after Tweezer Reprise. Given that the band (Trey) could not leave the stage after You Enjoy Myself, there was no encore break and Tweezer Reprise was announced as the start of the encore. Rescue Squad was performed Trey solo (singing and playing Fish’s drum set) while he was waiting to return to the stage.
 Atypical version with chorus sung multiple times over the Wolfman’s Brother jam.
Corinna was played for the first time since December 28, 2016 (68 shows). Party Time was performed in an atypical manner with the chorus being sung multiple times over the Wolfman’s Brother jam. Tweezer Reprise contained a Death Don’t Hurt Very Long quote.
Alumni Blues had changed lyrics referencing National Bacon Day. Glide II was last played on May 16, 1995 (872 shows). Trey teased Birthday in the first Weekepaug. This show featured the Phish debut of Bliss with Trey on acoustic guitar. Trey teased Crosseyed and Painless in No Men In No Man’s Land. Weekapaug Groove was unfinished. Cool Amber and Mercury and Cavern contained The Final Hurrah quotes.
Trey teased Auld Lang Syne In Antelope. Trey and Mike came out to start the third set dressed in metallic silver spacesuits. As Mercury progressed, acrobats appeared on stage in front of the band and were lifted up and down, each in their own (unbreakable) net. The midnight balloon drop consisted predominantly of silver balloons and streamers hung from the roof. During Say It To Me S.A.N.T.O.S., Trey and Mike were lifted up in the air (similar to the acrobats) while they performed the song and dancers appeared on stage with giant inflatable objects. DWD and Mercury were unfinished.
This show was webcast via Live Phish and featured the Phish debut of Soul Planet. During Soul Planet, the stage was transformed into a massive pirate ship with sails blown by fans, cannons blowing confetti, and a Phish ‘Jolly Roger’ flag. Fans were given bracelets that illuminated different colors depending on where seated during pirate ship sequence. All of the songs after Auld Lang Syne centered around a water theme. A Song I Heard the Ocean Sing contained Shipwreck quotes. Moma included an Auld Lang Syne tease.
This show was the thirteenth and final night of Phish’s Baker’s Dozen run at Madison Square Garden. Donuts with a pink glaze and rainbow sprinkles were given to fans arriving at the venue. Sanity included quotes of Saw it Again and Very Long Fuse. This show featured the Phish debut of Most Events Aren’t Planned. I Been Around was last performed July 27, 2014 (119 shows). Izabella was last performed July 31, 1998 (574 shows). Simple contained Magilla and Izabella teases. YEM contained an Izabella tease and The Lizards, White Winter Hymnal, and Everything In Its Right Place quotes in the vocal jam. Prior to the encore, a banner commemorating the Baker’s Dozen run was raised to the ceiling of Madison Square Garden. On The Road Again was last performed August 31, 2013 (155 shows). Mike and Fish performed the beginning of Weekapaug before Tweezer Reprise.
This show was night twelve of Phish’s Baker’s Dozen run at Madison Square Garden and had a Boston Cream donut theme. Donuts with a dark chocolate glaze and vanilla cream icing were given to fans arriving at the venue. This show featured the debut of a medley of Cream and Boston songs, called Sunshine of Your Feeling. It consisted of teases and quotes of Sunshine of Your Love, More Than a Feeling, Tales of Brave Ulysses, and the Long Time portion of Boston’s Foreplay/Long Time. The Long Time section of the medley contained White Room quotes as well as Sunshine of Your Love and More Than a Feeling teases. Sunshine of Your Love was also teased in Plasma and Quinn. Frost was last played on July 17, 2013 (168 shows).
 Phish debut.
 No intro.
 Page on keytar.
This show was night eleven of Phish’s Baker’s Dozen run at Madison Square Garden and had a lemon donut theme. Donuts with a lemon poppy seed glaze were given to fans arriving at the venue. This show featured the Phish debuts of See That My Grave Is Kept Clean and Everything In Its Right Place. Dinner and a Movie was last played on July 21, 2013 (164 shows). Scents did not have the intro. Everything In Its Right Place was quoted in What’s the Use?, Scents, Caspian, Fluffhead, and before and during Frankenstein. No Men In No Man’s Land was quoted in Scents. Frankenstein featured Page on keytar.