My design for the Blossom show. I’ve only been there twice but I loved the venue and the lot scene, out in the middle of beautiful country. The nearby falls inspired the image, along with Blossom’s unique design. The original painting was ink, watercolor, and gouache paint. Prints are 11×14, signed and numbered, and limited to an edition of 100. Tickets are based on PTBMs, and the barcode links to the setlist on Phish.net!
The fourth print in my Summer 2019 series. Inspired by the Dürer woodcut titled “The Owl in Fight with Other Birds” (1516) and the song Buffalo Bill. This seems like a proper print for the Blossom show in Cuyahoga Falls, OH. My owl was drawn to be not as scary as the original print, and I made the leaf into a cherry blossom, as well and included the venue in the background.
Prints are 9 x12 on 11×14 paper, and printed with Supergraphic black ink by Bill Fick. Black and white editions are printed on 140 lb watercolor paper, and the color variants are printed on 98 lb mixed media paper. Black and white are an edition of 30, and a creamsicle variant of 20. A very limited amount of prints are available in my shop: www.joseeen.etsy.com , the rest will be sold on lot at Blossom.
Notes: This show was webcast via LivePhish. After Roses Are Free, Trey gave a call-out to Aaron Freeman and Mickey Melchiondo (aka Gene and Dean Ween), encouraging them to get Ween back together. Trey teased For the Love of Money in It’s Ice, Call to the Post at the end of Bathtub Gin, and DEG in Hood. Chalk Dust was unfinished.