I’m excited to present may latest linocut for Phish’s return to Riviera Maya in 2019. Continuing my tradition of creating a block print for all their past shows in Mexico, I went bigger than ever before, carving a 12×18 block. I was inspired by the work of Albert Dürer’s woodcut, The Four Horsemen (1498). It was printed on 18×24 90lb paper, hand printed and pulled (really wish I had a press for this size!) They are available in a limited signed edition of 30, including 2 small color variants. Prints are available in my shop: www.joseeen.etsy.com
 Atypical version with chorus sung multiple times over the Wolfman’s Brother jam.
Corinna was played for the first time since December 28, 2016 (68 shows). Party Time was performed in an atypical manner with the chorus being sung multiple times over the Wolfman’s Brother jam. Tweezer Reprise contained a Death Don’t Hurt Very Long quote.
Alumni Blues had changed lyrics referencing National Bacon Day. Glide II was last played on May 16, 1995 (872 shows). Trey teased Birthday in the first Weekepaug. This show featured the Phish debut of Bliss with Trey on acoustic guitar. Trey teased Crosseyed and Painless in No Men In No Man’s Land. Weekapaug Groove was unfinished. Cool Amber and Mercury and Cavern contained The Final Hurrah quotes.
Trey teased Auld Lang Syne In Antelope. Trey and Mike came out to start the third set dressed in metallic silver spacesuits. As Mercury progressed, acrobats appeared on stage in front of the band and were lifted up and down, each in their own (unbreakable) net. The midnight balloon drop consisted predominantly of silver balloons and streamers hung from the roof. During Say It To Me S.A.N.T.O.S., Trey and Mike were lifted up in the air (similar to the acrobats) while they performed the song and dancers appeared on stage with giant inflatable objects. DWD and Mercury were unfinished.