After years of talking about it, I recently finished creating a one-stop shop to view all my setlist art. I was inspired by the Phish Downloads Spreadsheet, which contains downloads of almost every Phish show, recorded by tapers at shows.
My spreadsheet contains every show I’ve created setlist art for since I started in 2014. I also include all the commissioned setlists for older shows (57 to date!), some of 2013 that I had done, and nearly every setlist for each showed played from 2014-2021!
Each section is listed by year and gives you an Imgur link to view the setlist art, purchase links, and a link to the setlist via Phish.net if you need help figuring it out!
For the last 20 weeks, Phish has been doing a weekly stream called Dinner and a Movie. They have been streaming past shows, some recent, some very old, and some never before seen. For many of us, this is a source of calm and happiness in such a turbulent world. For me it’s also an opportunity to create some setlist art! Although I’ve created some of them before, there’s something about posting a set right after as if it were a live show. The most exciting are the shows I haven’t created before. I’ve been posting the setlists on social media ( twitter, instagram, facebook, reddit) as I would during a regular tour.
I’ve had people ask about the setlist art, and yes, it is all available for sale! I decided to create an easier way for people to find the Dinner and a Movie setlists in my shop. You can now find every setlist in one listing. I also have them available as a digital file, which you can print yourself in any size you wish or on anything you want!
I will be adding more setlists every week, and I’m slowly working on older setlists as well. Can’t find the setlist you are looking for? I also do commissioned setlists, which can include a personalized header, and would include an 11×17 print, any original artwork I create for the setlist art, as well as a digital file!
My final block print of 2019, created for Phish’s NYE run. The 14th in my yearlong series inspired by the work of Albrecht Dürer. This print was inspired by part of “The Tapestry of Michelfeld” (date ND) and includes several birds found in Phish songs, as well as Trey’s dog Marley. As I researched the image, I found it interesting that it was actually based off a tapestry made about a 100 years prior, this being a recreation of it. Prints are currently available in my shop.
It’s been quite a year working on all these block prints! I didn’t expect that it would take nearly all my free time, but it was a fun experience. For those asking, yes there will be a Dick’s Run linocut, hopefully before the end of the month. I had opted to not make one at the time, mainly since I was back at school teaching, and had too many other things on my plate.
As for what 2020 brings, I’m still not sure. A new year will bring a new theme and possible medium for my Phish prints, although I see myself going back to printmaking for some song illustrations or Grateful Dead inspired work.
“..but the net’s unbreakable
So don’t worry about falling”
The eleventh print in my Summer 2019 series. This print was created during the Mohegan Sun run, and finished shortly after. I was inspired by the song Mercury, and the Durer woodcut “Astronomer” (1500) seemed fittings. I turned the figure into the mythical figure Mercury, and behind him are the symbols for the Sun, Earth, Mercury, and Venus, as well as the Mohegan Tribe symbol (2nd symbol down).
Prints are 9×12 on 11×14 paper, and hand carved and printed. Black and white editions are printed on 140 lb watercolor paper, and the color variants are printed on 98 lb mixed media paper. Black and white are an edition of 30, and a violet variant of 7. Due to the nature of the process each print may slightly differ in background color. Prints are now available in my shop: www.joseeen.etsy.com
The ninth print in my Summer 2019 series. This is the print that almost didn’t make it with me at Saratoga Springs. I was actually carving it on lot in Camden, which was fun because it actually helped a lot of people understand the process. I finished carving it, and printed them the night before the shows. For SPAC, I opted for the horse racing theme (yeah, I know it’s been done before!) Albrecht Dürer had done a lot of prints with horses, but his wood cut “Saint George and the Dragon” (1504) caught my eye with its king in the background, which made me instantly think of Wilson.
Prints are 9×12 on 11×14 paper, and hand carved and printed. Black and white editions are printed on 140 lb watercolor paper, and the color variants are printed on 98 lb mixed media paper. Black and white are an edition of 30, and a lime green variant of 10. Due to the nature of the process each print may slightly differ in background color. I had these with me on lot at SPAC and the remaining prints are now available in my shop: www.joseeen.etsy.com
“Up the rigging take in sail mind the skipper we’ll not fail”
The seventh print in my Summer 2019 Series. For the Bangor shows I was inspired by another of Dürer’s prints that he created for Book of Fools, this one titled ” Disregard of Misfortune” (1494). As well as the song The Moma Dance. I also included the venue in the background and some fitting choppy waters, based off the weather forcast for the shows.
Prints are 9×12 on 11×14 paper, and printed with Supergraphic black ink by Bill Fick. Both editions are printed on 140 lb watercolor paper. Black and white are an edition of 30, and a watercolor variant of 9 . Due to the nature of the process each print may slightly differ in background color. Prints are currently available in my shop: www.joseeen.etsy.com
I excited to finally present the first of my 2019 Phish summer tour prints! Continuing on the theme started by my Riviera Maya block print, I was inspired by the work of 15th century printmaker Albrecht Dürer. I had been studying his work, as he was an early influence in my printmaking journey, and found many prints that I felt would lend themselves well as tour prints. I started working on the blocks in January, and at this point have carved 8 of 13 blocks for the entirely of summer tour. I recently moved to a better (and larger!) living space, which means I no longer need to carve and print in the living room/kitchen! The move has delayed my work a bit, but as I get settled, I’ll be printing and carving the rest shortly!
For the tour opener in St. Louis, Missouri, I created a print inspired by the Dürer woodcut titled “Gerson” (1489). Jean Charlier de Gerson was Chancellor of the University of Paris, who was forced to flee Paris after being suspected of leaning toward reform in the late 1300s. This print was also inspired by the song “Ginseng Sullivan”, thus the ginseng instead of the unknown plant in the original, which can be seen in the bottom left corner of the print. Although the song references the North Georgia hills, I was happy to find out that ginseng does grow in Missouri! You can also spot the Chaifetz Arena in the background, as well as the iconic St. Louis Gateway Arch.
Prints are 9 x12 on 11×14 paper, and printed with Supergraphic black ink by Bill Fick. Black and white editions are printed on 140 lb watercolor paper, and the color variants are printed on 98 lb mixed media paper. I haven’t decided on the exact edition size, but these summer prints will be a much smaller edition than last year’s. Prints will be available in my Etsy shop this Friday (5/10/19) around 6 pm eastern. Expect more summer tour prints to be made available soon after!
Prints are 9×12 on 11×14 paper, and printed with Supergraphic black ink by Bill Fick. Black and white editions are printed on 140 lb watercolor paper, and the color variants are printed on 98 lb mixed media paper. I haven’t decided on the exact edition size, but these summer prints will be a much smaller edition than last year’s. Prints will be available in my Etsy shop this Friday (5/10/19) around 6 pm eastern. Expect more summer tour prints to be made available soon after!
EDIT 5/19: After a long delay, my prints are finally available in my shop! The recent weather in my area (lots of rain) caused my prints to take forever to dry, one of the downsides of oil based ink.
The third print in my Summer tour series. For the Bill Graham Auditorium show in San Francisco, I created a print inspired by the posters for Reptilicus (1961) by Reynold Brown, which takes place in San Francisco, as well as The Beast from 20,000 Fathoms (1953), artist unknown. As I continued this series, I felt more comfortable altering things, in this case, replacing the monster from the Reptilicus poster with the monster from Beast from 20,000 Fathoms, which I felt better fit the use of the Lizards lyrics. The print was hand drawn in sections, then inked and watercolored to create the complete image. They were later scanned, and digitally arranged to create a version that is true to the original poster. Prints are 13×19 on cardstock, signed and limited to an edition of 150. Prints are currently available for sale in my shop: www.joseeen.etsy.com , and prints will be available on lot before the show.