My ticket stubs for Phish’s 4-night New Year’s run at Madison Square Garden in NYC. Each stub measures 2.75×6.5 inches (The same size as PTBM tickets) and is printed on 14 Pt paper (slightly thicker than actual stubs), printed by Fireball Printing in Philadelphia.
I continued to paint clouds for this run as I did for the Albany run. This time around, it focused the worm’s eye view of the city. Ever since I was a kid, this has always been one of my favorite things to do when coming into the city. The movement of the clouds and the feeling that the buildings were about to topple gave off a feeling of uncertainty and excitement. Not unlike a Phish show!
The artwork for the stub was a series of watercolor paintings on 8.5 x 11 paper. I plan to make the original paintings available for sale soon.
I currently have a limited number of ticket stubs available in my shop: joseeen.etsy.com. I will also be at the PhanArt show at Hill Country BBQ on December 30th with my tickets as well as fall and summer tour ticket stubs.
My ticket stubs for Phish’s 4-night New Year’s run at Madison Square Garden in NYC. Each stub measures 2.75×6.5 inches (The same size as PTBM tickets) and is printed on 14 Pt paper (slightly thicker than actual stubs), printed by Fireball Printing in Philadelphia.
For this run, I found inspiration in the public monuments in New York City to which I made some artistic changes. Night 1 is based on the Peace Monument found on the lawn of the UN building. Night 2 is based on Isamu Noguchi’s Red Cube in the Financial District. For nights 3 and 4 I was inspired by the Atlas and Prometheus statues, found outside Rockefeller Center.
The artwork for each stub was watercolor paintings on 6×9 paper. They were then scanned. The ticket stub design was based on the 2018 PTBM (Phish tickets by mail) ticket stubs, which feature a vertical format.
I currently have a limited number of ticket stubs available in my shop: joseeen.etsy.com. I will also be at the PhanArt show at Hill Country BBQ on December 30th with my tickets as well as fall and summer tour ticket stubs.
My ticket stubs for Phish’s 3-night run in Chicago, IL. Inspired by PTBM (Phish tickets by mail) ticket stubs. The barcode actually scans and links to each night’s setlist on Phish.net! Each stub measures 2.75×6.5 inches (The same size as PTBM tickets) and is printed on 14 Pt paper (slightly thicker than actual stubs), printed by Fireball Printing in Philadelphia.
Inspired by the Chicago skyline, the artwork was watercolor on paper, which was then scanned and digitally arranged.
My ticket stubs for Phish’s 2-night run in Dayton, OH. The original art was micron pen and watercolor on paper, which was then scanned and digitally arranged. Inspired by PTBM (Phish tickets by mail) ticket stubs. The barcode actually scans and links to each night’s setlist on Phish.net! Each stub measures 2.75×6.5 inches (The same size as PTBM tickets) and is printed on 14 Pt paper (slightly thicker than actual stubs), printed by Fireball Printing in Philadelphia.
The artwork was inspired by the Aullwood Trolls created by recycle artist Thomas Dambo. These sculptures reside minutes away from the venue at the Aullwood Audubon. I also included a reference to Dayton residents the Wright brothers and the bell tower at Carillion Park.
My commemorative ticket stubs for the opener of Phish’s Fall Tour. The original art was watercolor on paper, which was then scanned and digitally arranged. Inspired by PTBM (Phish tickets by mail) ticket stubs. The barcode actually scans and links to each night’s setlist on Phish.net! Each stub measures 2.75×6.5 inches (The same size as PTBM tickets) and is printed on 14 Pt paper (slightly thicker than actual stubs), printed by Fireball Printing in Philadelphia.
The art was inspired by the neon lights on Broadway in Nashville. I decided to change things up, creating vertical tickets inspired by Summer 2018 PTBMs. This allowed me to create art I couldn’t do in the previous landscape format I had been using. I painted three 5×9 watercolors inspired by the neon signs of the Second Fiddle (First Tube), the Stage (Wedge), and Betty Boots (Reba). These paintings were fun and challenging, especially trying to recreate the glow of the lights, and how they reflect on nearby surfaces. I even used them as teaching tools in my classroom, working on them with the same watercolor sets my students were using!
I also created a print version using the artwork I created for the ticket stubs. It measures 11×17 and is printed on 100 lb cover paper, limited to an edition of 50.
My commemorative ticket stubs for Phish’s 4-day run at Dick’s Sporting Goods Park in Commerce City, CO. The original art was watercolor on paper, which was then scanned to create the tickets. Inspired by PTBM (Phish tickets by mail) ticket stubs. The barcode actually scans and links to each night’s setlist on Phish.net! Each stub measures 2.75×6.5 inches (The same size as PTBM tickets) and is printed on 14 Pt paper (slightly thicker than actual stubs), printed by Fireball Printing in Philadelphia.
By the time I started working on these, my summer had ended and I was back to teaching. My free time was very limited, and the surprise of the SPAC shows threw my timeline off. In my search for inspiration, I was looking at pictures of the view of Denver from Commerce City. At this point, I was getting frustrated and in a state of artistic delirium, just thought “What if I replace the mountains with the buildings? What if I replace the clouds with buildings?” This amused me enough that I sketched up the possible scenarios and then created the paintings. Working on these was beneficial in dealing with the stress involved with a new school year. I must admit that I prolonged how long they took to complete since it was one of the things I looked forward to most when getting home from school, besides seeing my wife and cat!
My commemorative ticket stubs for Phish’s 2-day flood recovery benefit show at the Broadview Stage at SPAC in Saratoga Springs, NY. The original art was watercolor on paper, which was then scanned and digitally arranged. Inspired by PTBM (Phish tickets by mail) ticket stubs. The barcode actually scans and links to each night’s setlist on Phish.net! You can also scan the QR code to make a donation to Waterwheel’s flood recovery fund. Each stub measures 2.75×6.5 inches (The same size as PTBM tickets) and is printed on 14 Pt paper (slightly thicker than actual stubs), printed by Fireball Printing in Philadelphia.
The art is comprised of several illustrations inspired by several animal references found throughout several Phish songs. They were then scanned and digitally arranged for the final artwork.
I also created a print version using the artwork I created for the ticket stubs. It measures 11×14 and is printed on 100 lb paper, limited to an edition of 50.
My ticket stubs for Phish’s 7-night run at Madison Square Garden in New York City. Inspired by PTBM (Phish tickets by mail) ticket stubs. The barcode actually scans and links to each night’s setlist on Phish.net. Each stub measures 2.75×6.5 inches (The same size as PTBM tickets) and is printed on 14 Pt paper (slightly thicker than actual stubs)
The ticket art is inspired by old NYC shops and bodegas, many of which are no longer standing. As a child, my family would often drive to NYC to visit family. One of my favorite parts of these trips was visiting different bodegas in search of exotic snacks and candies I wouldn’t find in the suburbs.
I also created a print version using the artwork I created for the ticket stubs. It measures 12×16 and is printed on 100 lb paper, limited to an edition of 50.
This was a very challenging series to create! It took a lot of research to find the right shops to paint. I need the right signage that could be subtly changed to become a Phish reference. Most images focused on the shop so I had to refer to Google Maps to get a better view of the location. I learned how many of the shops were no longer in operation, but fortunately was able to look up older street views.
While working on these paintings I was taking an online watercolor course and was able to apply a lot of what I learned to these paintings. I had never used watercolor until after college and learned via trial and error, so I learned that I was doing a lot of things wrong, or at least the hard way! I was able to create a lot of things with more reliance on color, and less on linework. I did use some micron pens but relied mostly on my brush. I drew some of the typography separately but kept that to a minimum. I also tried to paint them in a way that wouldn’t require any digital work other than scanning them.
Another challenge for me was that I was traveling for, attending, and vending at several Phish shows during this time! If you saw me vending at Burgettstown, you might have caught me working on one of them there! It got a bit close, but I managed to get them all done and ready to go for the final two shows of MSG and was able to offer them all at the PhanArt show that took place.
My ticket stubs for Phish’s 2-night run at the Mann Center in Philadelphia, PA (hometown show!) Inspired by PTBM (Phish tickets by mail) ticket stubs. The barcode actually scans and links to each night’s setlist on Phish.net. Each stub measures 2.75×6.5 inches (The same size as PTBM tickets) and is printed on 14 Pt paper (slightly thicker than actual stubs)
For these shows, I decided to create a series of watercolor paintings of the Philly skyline, and some inspiration from the Phish song “Simple”. These paintings were then scanned and digitally arranged to create the final product.
For the print, I painted additional items and opted for an 8.5×14-sized print. While unconventional, I found that the size worked best for the long horizontal format of the image.
My ticket stubs for Phish’s show at St. Joseph’s Health Amphitheater in Syracuse, NY. Inspired by PTBM (Phish tickets by mail) ticket stubs. The barcode actually scans and links to each night’s setlist on Phish.net. Each stub measures 2.75×6.5 inches (The same size as PTBM tickets) and is printed on 14 Pt paper (slightly thicker than actual stubs)
For the art, I decided to depict the amphitheater experiencing a Mike bass bomb, something worth experiencing at a show! The original art was an ink and watercolor illustration.
Not just reading the book, 