This show was night five of Phish’s Baker’s Dozen run at Madison Square Garden and consisted of a powdered donut theme. Powdered sugar donuts were given to fans arriving at the venue and the show featured the Phish debuts of White Winter Hymnal and Powderfinger. Wilson and My Soul were teased before Cars Trucks Buses. Pebbles and Marbles was played for the first time since August 3, 2014 (106 shows). 1999 was played for the first time since December 31, 1998 (524 shows). Fishman teased Mr. Completely in 1999. The show was webcast via Live Phish.
This show was night four of Phish’s Baker’s Dozen run at Madison Square Garden, consisted of a jam-filled donut theme, and was webcast via Live Phish. Raspberry jam-filled donuts dipped in honey were given out to fans arriving at the venue and songs such as Sample in a Jar and Lawn Boy were jammed out longer than usual. Lawn Boy featured Page on keytar. My Friend My Friend did not contain the “Myfe” ending. Trey quoted Jamming in Makisupa. End of Session debuted at this show.
This show was night three of Phish’s Baker’s Dozen run at Madison Square Garden and consisted of a red velvet donut theme. Red velvet donuts with cream cheese frosting were given to fans arriving at the venue and the show featured the Phish debut of Sunday Morning with Trey on drums, and Fish on vocals. Fish came out on stage for Sunday Morning wearing a stole and mitre. He also lifted a censer with burning incense at one point and even sprinkled “holy water” on the crowd. The venue was draped in red lights for the “velvet” themed songs: Sunday Morning and Sweet Jane (both Velvet Underground covers) and Wading in the Velvet Sea. Trey teased Streets of Cairo in Back on the Train and Super Bad in It’s Ice. Wolfman’s Brother was unfinished. Sweet Jane was played for the first time since June 29, 2012 (193 shows). This show was webcast via Live Phish.
This show was night two of Phish’s Baker’s Dozen run at Madison Square Garden and consisted of a Strawberry donut theme. Strawberry donuts were given to fans arriving at the venue and the show featured the Phish debuts of Strawberry Fields Forever (performed a cappella) and Strawberry Letter 23. Moma Dance was unfinished. Trey teased Pictures of Matchstick Men in the first DWD. I Always Wanted It This Way featured Trey on the Marimba Lumina. All of These Dreams was last played on October 26, 2010 (251 shows). Mike teased Dave’s Energy Guide in Split Open and Melt. This show was webcast via Live Phish.
This show featured the Phish debuts of In The Good Old Summer Time and Everything’s Right and the debuts of Leaves and Love Is What We Are. Wolfman’s included a Dave’s Energy Guide tease from Trey. Trey teased Manteca in Golden Age and the second Your Pet Cat. Harry Hood contained a Mountain Jam and What’s The Use? teases from Trey
This show featured the debut of Thread. The Birds was quoted at the end of BOAF. 2001 contained Martian Monster teases and a quote and Get Up (I Feel Like Being a) Sex Machine quotes. Carini was teased at the end of Cavern.
This is now my fourth year creating these setlists. What started out as little sketches in notebook have evolved to 122 different setlists (and header illustrations) as well as over 300 different song illustrations! I’ll be at the PhanArt Shows in NYC for Baker’s Dozen, and will have plenty of setlists with me!
I’m happy to present my poster for Phish’s show in Pittsburgh at the Petersen Events Center during their 2017 Summer tour. 12×18 on thick glossy paper (#110 cover). This poster combines the venue with the iconic Duquesne Incline cable car which overlooks the Pittsburgh skyline. Original is ink and watercolor, and includes references to several songs, as well as several Pittsburgh sports teams. Limited to a signed and numbered edition of 100.
I included a lot of little references in the poster to Phish songs, as well as a few sports teams (see if you can spot them!) The posters are available in my Etsy Shop , as well as www.phishart.com. I plan to bring a few to Pittsburgh with me, but the likelihood of a lot scene or shakedown is slim, since the venue is in the middle of the city. I will also have these at the Phan Art shows during the MSG run in the Hotel Pennsylvania (7/22 and 8/5, 12-6pm)
I’m excited to present my poster for Phish’s Baker’s Dozen Run in NYC this summer! Inspired by a vintage Easy Bake Oven box, the prints are 13×19 on heavy cardstock and are limited to a signed and numbered edition of 100. Prints are available in my shop, and I will have some for sale at the July 22nd and August 5th PhanArt shows at Hotel Pennsylvania.
My inspiration- a toy box from 1964.
When these shows were announced, I knew that creating a poster would be a challenge. With a theme already established by the band, I had to find something that fit in with theme while avoiding the obvious. Ideas came and went, but eventually I came across a picture of a vintage Easy Bake Oven box and inspiration hit! The original illustration is completely hand drawn, including all the lettering, which was then watercolored in a deconstructed manner and scanned in order to recreate the box. I also went back to more detailed style that I hadn’t done in years!
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I also ended up creating a poster for summer tour, which also appears in the Baker’s Dozen poster. Any BD poster purchase will ship with one of these for free, and they are also available for purchase on their own. The prints are 11×17 on cardstock, and limited to 100 prints.
Originally I was only creating one poster for tour, as well as setlist illustrations for all the shows, but that didn’t last long. I just finished up a poster for the Pittsburgh show July 19th, and will be posting it shortly, so stay tuned!
This show was webcast via LivePhish. This show featured the floor and stage covered with artificial turf (numerous plants also dotted the stage). Prior to the show, actors played garden sports including croquet, badminton, and mini-golf, while a few more “sunbathed” on a riser behind the stage. During the first setbreak, golfers came on stage and hit soft golf balls into the crowd. Light contained an Auld Lang Syne tease. You Enjoy Myself contained a Birds of a Feather tease. Trey, Page and Mike came out for the third set in golf carts and began hitting golf balls into the crowd. Fish then arrived on a golf cart wearing donut pants and shirt, an argyle vest, and a golf hat. Golf carts were brought back on stage during Kung, then began racing past the stage periodically during Chalk Dust. During the Chalk Dust jam, golfers began getting out of the carts, hitting balls into the crowd and dancing on stage. One of the golfers did the New Year’s countdown from on top of a cart. Auld Lang Syne was accompanied by balloons dropping from the ceiling and ping pong balls fired from cannons. Tweezer Reprise featured Carrie Manolakos on vocals and a number of backup singers. The remainder of the third set and encore featured song titles focusing on a golf theme. Wilson was preceded by an animated Wilson golf ball on the venue’s jumbotrons. Iron Man was preceded by Page coming to the front of the stage to wish the crowd Happy New Year and reference the start of the 30th year of Phish. In an apparent reference to Bob Hope, Page wore a blazer, USS Nimitz ball cap and carried a golf club. Driver was stopped and restarted.This show featured the Phish debuts of Garden Party and Fly Like an Eagle, the first full Phish performance of Iron Man (which was last played December 31, 2003, or 192 shows), and the first ever a cappella Lawn Boy.
Phish returned to Mexico for another 3 night run along the beach of the Riviera Maya. I was able to stream the shows live, and have sets of the 3 night run prints available in 11×17 and 8.5×11 sizes. Purchase prints here .
I recently finished up a new linocut for Phish’s upcoming shows in Mexico. Prints are hand-pulled, and printed on 108 lb 11×14 paper, and limited to an edition of 50 (although there will be some color variants in the near future). Prints are available for purchase in my shop, Joseeen.etsy.com.
A last minute decision, I was inspired to do something after attending their 12/28 show, as well as streaming the rest of the run. Trying to come up with something appropriate for a Mexico run poster, I recalled the work of Jose Guadalupe Posada, who’s artwork is best associated with Day of the Dead. I recently had several students choose him for a presentation in my class, so I actually learned quite a bit from them! After looking at many of his prints I took elements from two of them, El Cometa del Centenario de la Independencia (The Comet Marking the Centennial of Independence) and El Pequeño Adivinadorcito (The Young Diviner) to create my illustration.
This is my largest edition to date, and marks the beginning of year full of block prints. I hope to try some more complicated methods, as well as working larger, although this would require me to look into a printing press (and a bigger apt!) I’ll be working on some color variants soon, and will be posting those here shortly!