My design for the Pine Knob show. I was inspired by the song Llama, and the logo for the venue itself. The original painting was watercolor and gouache paint. Prints are 11×14, signed and numbered, and limited to an edition of 100. Tickets are based on PTBMs, and the barcode links to the setlist on Phish.net!
Pine Knob Tickets Available here
Pine Knob Print Available here
My design for the Blossom show. I’ve only been there twice but I loved the venue and the lot scene, out in the middle of beautiful country. The nearby falls inspired the image, along with Blossom’s unique design. The original painting was ink, watercolor, and gouache paint. Prints are 11×14, signed and numbered, and limited to an edition of 100. Tickets are based on PTBMs, and the barcode links to the setlist on Phish.net!
Blossom Tickets Available here
Blossom Print Available here
My design for the Merriweather shows. Merriweather holds a special place in my heart, I’ve actually seen the most shows there. It’s the place where I run into the most people I know, either from Philly, the Harrisburg area where I grew up, and even old friends from college! The art was inspired by these interactions with friends, some of who I haven’t seen in years, and some who are no longer with us. I chose to use robots, since they have been a theme in lots of my work in the past, including stickers I used to give out/put up at shows I attended. This was one of my toughest pieces since I had so much detail with the audience! The original painting was ink, watercolor, and gouache paint. Prints are 11×14, signed and numbered, and limited to an edition of 100. Tickets are based on PTBMs, and the barcode links to the setlist on Phish.net!
Merriweather Tickets Available here
Merriweather Print Available here
My design for the Walnut Creek show. The ticket art was inspired by the song Split Open and Melt. The original painting was ink, watercolor, and gouache paint. Prints are 11×14, signed and numbered, and limited to an edition of 100. Tickets are based on PTBMs, and the barcode links to the setlist on Phish.net!
Walnut Creek Tickets Available here
Walnut Creek Print Available here
My design for the Jones Beach shows. The ticket art was inspired by the old pictures of Jones Beach when there was water between the stage and the audience, and the song Lizards. The original painting was ink, watercolor, and gouache paint. Prints are 11×14, signed and numbered, and limited to an edition of 100. Tickets are based on PTBMs, and the barcode links to the setlist on Phish.net!
Jones Beach Tickets Available here
Jones Beach Print: Available here
My design for the Hartford show. I do not like to draw city skylines yet I keep doing them! I was inspired by the Connecticut Science Center, which instantly reminded me of the Rhombus from The Man Who Stepped Into Yesterday. The original painting was ink, watercolor, and gouache paint. Prints are 11×14, signed and numbered, and limited to an edition of 100. Tickets are based on PTBMs, and the barcode links to the setlist on Phish.net!
Hartford Tickets Available here
Hartford Print: Available here
My design for the Bethel Woods shows. I’ve always loved drawing trees, and it seemed fitting for this venue. The original painting was ink, watercolor, and gouache paint. Prints are 11×14, signed and numbered, and limited to an edition of 100. Tickets are based on PTBMs, and the barcode links to the setlist on Phish.net!
Bethel Tickets Available here
Bethel Print: Available here
Hometown show! These tickets were inspired by the song “Slave to the Traffic Light”, which is fitting since the Mann is near the Philadelphia zoo and the amazing view of the city skyline from the venue. And of course, there’s that Philly traffic, which anyone attending the shows got to experience on the way to the venue. This design is actually a throwback to my very first Mann print which was spray paint and stencils on braille paper. I don’t think any sold on lot, only sold 1 in my shop and ended up wheat pasting most of the ones I had left around Philly. When the opportunity for some Mann phan art arose, I knew I had to revisit this design. The original painting was ink, watercolor, and gouache paint. Prints are 11×14, signed and numbered, and limited to an edition of 100. Tickets are based on PTBMs, and the barcode links to the setlist on Phish.net!
Mann Tickets Available here
Mann Print: Available here
Apologies for the lack of updates all summer! I’ve finally finished the series and will be posting all my ticket designs in the coming days.
My ticket design for the Bangor show in Maine. This is one of the few that wasn’t inspired by a song. I heard lobsters are sort of a big deal in Maine so I went for it! The original painting was ink, watercolor, and gouache paint. Prints are 11×14, signed and numbered, and limited to an edition of 100. Tickets are based on PTBMs, and the barcode links to the setlist on Phish.net!
Bangor Ticket Available here
Bangor Print: Available here
I just added prints alongside ticket stubs for the Phish Mansfield run! Inspired by the song Scent of a Mule. The original painting was ink, watercolor, and gouache paint. Prints are 11×14, signed and numbered, and limited to an edition of 100. Tickets are based on PTBMs, and the barcode links to the setlist on Phish.net!
Mansfield Print: Available here
Mansfield Tickets: Available here
Not just reading the book, 
