20 Years Later: Illustrating Gamehendge Over the Years

The music of Phish has been a source of inspiration for my art for over twenty years now! One particular part of Phish’s catalog that I have often gravitated towards would have to be their Gamehendge Saga, a series of songs from Trey Anastasio’s college thesis. Over the years, I have revisited themes from these songs and incorporated them into a lot of my artwork.


“Esther Suite” 2003 linocut series

I first got into Phish in 2000, after which they promptly went on hiatus. Going off to college, I was able to acquire tapes and CDs of shows, met other fans, and set out to learn more about the band, the music, and the culture.

One thing I noticed about the music of Phish was how easy it was to visualize the lyrics into drawings. In 2003 I created a linocut series of block prints inspired by the song “Esther”, a Gamehendge-adjacent song. At the time, I was unaware that there was a whole scene of artists creating work inspired by Phish; I just felt the song worked great as a series of prints!


“Gamehendge Suite” 2013

Once Phish reunited in 2009, I was regularly going to shows but wasn’t really creating too much artwork inspired by them. By 2012 I was making spray-painted canvas panels of antelope crossing signs that I would sell while walking around the lots before shows. In 2013 I decided to begin illustrating Phish songs. Each painting was mixed media on 8.5×11 paper. I had intended to draw the rest of the songs in the same framed design, but never got a chance to finish them.

“The Man Who Stepped into Yesterday” 2014

In 2014 I began working on a lot more Phish-inspired art, which led to several art commissions. One of these was to create a portfolio of illustrations of all the Gamehendge songs. This consisted of the 9 songs from “The Man Who Stepped into Yesterday” and additional songs that are related to the Gamehendge saga. I ended up creating 12+ ink and watercolor paintings for this series. I would end up using these paintings in my illustrated setlists, which I had begun doing that same year.

Tales from the Land of Gamehendge 2014


2015 Summer Tour Setlist Headers

In 2015 I focused mainly on my illustrated setlists, which had gained traction shortly after being introduced the year before. I started doing more of them with physical ink and watercolor, with the previous year’s setlist art being mainly ink drawings that were digitally colored. For that year’s summer tour setlist art, I decided to create the headers as illustrations inspired by Gamehendge songs. They were challenging to create, but a lot of fun figuring out how to approach the songs in a different way than I had done previously.


Thrilling, Chilling, Summer Tour 2018

In 2018 I created a series of show prints inspired by vintage monster movie posters. I ended up creating 17 posters for the summer, fall, and NYE runs, and of course, had to incorporate some Gamehendge characters in a few!


Dürer inspired series 2019

In 2019 I returned to my love of block printing. For the Phish runs that year I created a series of 11×14 block prints inspired by the work of  Albrecht Dürer. 15 show prints were created in total, with a few Gamehendge characters tossed in.


2022 Tour Prints

In 2022, concert tickets went digital, which meant that there were no more Phish Tickets by Mail (PTBMs). The beauty of these tickets was that they featured cool art and looked way better in a fan’s ticket stub collection than a boring Ticketmaster ticket stub. A casual mention from my wife resulted in me creating my own ticket stubs modeled after PTBMs! The art for these stubs was inspired by the venue location and Phish songs. Each illustration I created was designed to create a larger image when the stubs were lined up vertically.

Most prints are available in my shop, although some older work may no longer be available. Joseeen.etsy.com

An Asteroid Crashed and Nothing Burned

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I’ve just released my newest print, inspired by lyrics from the Phish song “Tube”. This was originally going to be my poster for their shows in Atlantic City.  I was halfway through with the drawing when it seemed obvious that there were no concerts happening this summer, but wanted to finish it (mainly for therapeutic value!)  It’s drawn using micron pens, with the smaller details created using a .005 sized pen.  I had a lot of fun with this, and it includes many hidden Phish references, as well as some randomness here and there.

I’ve drawn this image several times throughout the last 10 years or so.  The first one was an 18×24 ink and watercolor illustration, and several others were simpler 8×10 canvases, as well as some hand drawn sticker versions.

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Prints are signed and numbered, limited to an edition of 50, printed on 13×19 high quality glossy paper (110# cover).  Each order ships with extras.

Purchase here: https://www.etsy.com/listing/827956648/an-asteroid-crashed-art-print

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Surrender to the Flow #50

I was recently interviewed for the last issue of Surrender to the Flow, a publication created by Phish fans for Phish fans.  If you’ve gone to any show in the last 18 years, chances are you’ve seen them on lot.

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A treasure trove of vital information any phan should know about the venues they’ll be visiting, as well as stories and articles about the band, scene, and phans. Created in 1998 (before the luxury of smartphone), each issue told you what you need to know for your trip, especially when doing multi city tours.

I was interviewed by Sydne Kasle, who ran across my artwork on the internet.  She contacted me with questions (that I’m sure a lot of people had), and I was happy to answer! The issue(their 50th!), was given out for free at all the east coast shows.  You can also download the issue as a PDF here.  It’s free, but you can always donate to support this publication, which is created by volunteers.  Surrender to the Flow is currently on their 51st issue, which covers and will be available during Phish’s west coast run, as well as online.

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Phish Studio Era Compilations

I recently provided some art for a Phish compilation created by Reddit user RiverportGin. It coincided with my ongoing project of creating song illustrations for Phish’s discography.  Gin approached me about doing the album art at the perfect time and me being  fan of Phan compilations, was happy to help out. This allowed me to draw the songs that Phish rarely plays live, and made me revisit their studio albums, which I haven’t heard in years.  According to RiverportGin, “The idea is to capture what was happening live at the time leading up to and immediately following each of the Phish studio albums. The start date for each compilation corresponds to when Phish
started studio work for the album and ends just before work on the next album
begins.”

I was asked to include the songs found on each album, although they aren’t all in the compilations.  RiverportGin came up with the titles based off lyrics, which I then illustrated.

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Sound of the Storm- Farmhouse Era (11/99 – 2/00)

  1. Farmhouse
  2. Twist
  3. Bug
  4. Back on the Train
  5. Heavy Things
  6. Gotta Jibboo
  7. Dirt
  8. Piper
  9. Sleep
  10. The Inlaw Josie Wales
  11. Sand
  12. First Tube
  13. Driver
  14. Mountains in the Mist

 

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Flocking Outside- Story of The Ghost Era (4/97 – 10/99)

  1. Ghost
  2. Birds of a Feather
  3. Meat
  4. Guyute
  5. Fikus
  6. Shafty
  7. Limb By Limb
  8. Frankie Says
  9. Brian and Robert
  10. Water in the Sky
  11. Roggae
  12. Wading in the Velvet Sea
  13. The Moma Dance
  14. End of Session

 

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This Has All Been Wonderful- Hoist Era (10/93 – 1/96)

  1. Julius
  2. Down with Disease
  3. If I Could
  4. Riker’s Mailbox
  5. Axilla (Part II)
  6. Lifeboy
  7. Sample in a Jar
  8. Wolfman’s Brother
  9. Scent of a Mule
  10. Dog Faced Boy
  11. Demand

 

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The Overhead View- Rift Era ( 9/92 – 9/93)

  1. Rift
  2. Fast Enough for You
  3. Lengthwise
  4. Maze
  5. Sparkle
  6. Horn
  7. The Wedge
  8. My Friend, My Friend
  9. Weigh
  10. All Things Reconsidered
  11. Mound
  12. It’s Ice
  13. Lengthwise
  14. The Horse
  15. Silent in the Morning

There should be 2 more compilations (Billy Breathes and Picture of Nectar Eras) but I plan to complete all the albums in the coming months.

Track listings and song histories courtesy of Phish.net

© 1990-2016 The Mockingbird Foundation, Inc.

Phish Song Illustrations VI

I’ve been on a roll lately with these watercolors.  It’s been fun playing around with watercolors as well as taking my time illustrating these songs.  Most of the original drawings used in my illustrated setlists were drawn, inked, and then scanned and colored digitally while the show was in progress (I was lucky enough to be able to stream a live show for all most of summer, fall, and the Miami tour). My goal is to illustrate as many songs as I can for the summer illustrated setlists. I’ll take requests for songs, and I’ll be posting the ones I do for sale via my shop

Bathtub Gin

“Cause we’re all in this together, and we love to take a bath”

Available for sale

 

Maze

“The overhead view is of me in a maze”

Available for sale

 

The Wedge

“Take the highway to the Great Divide”

Available for sale

 

The Sloth

“They call me the sloth (Way down in the ghetto)”

Available for Sale

 

Phish Song Illustrations V

Part IV

Part III

Part II

Part I

Phish Songs Illustrations V

David Bowie

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“David Bowie, UB40”

Sold

Tube

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“Do tigers sleep in lily patches?”

Sold

Punch You In the Eye

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“How was I to know that day that the winds had swept me Wilson’s way”

Sold

Fuego

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“Read a little book about Vlad the Impaler”

Sold

These illustrations sell pretty quick, but I’ll be posting more as I make them. I still have a few available, as well as illustrated setlists from summer/fall 2014 as well as the NYE run.

https://www.etsy.com/shop/joseeen