Phish Fall Tour 2018 Series- Hampton

The 2nd in my Fall Tour series.  Inspired by the poster for “Ghidorah, the Three-Headed Monster” (1965), and lyrics from Maze.  I hadn’t done any Kaiju inspired posters, and this was part of the motivation to continue the series into fall tour.  The images were all hand drawn, inked (pens and brush) and painted with watercolor.  I then scanned them to create a digital painting that is true to the original poster.  The prints are 13×19 on card stock, signed and limited to an edition of 150. Available now in my shop.

Hampton web

Hampton web 41273c90d5d0787dcdfb061074816589

Phish Albany Run 2018

10-16-18 Albany I web

Trey teased Under Pressure In Piper. Page teased Rhapsody in Blue at the end of Harry Hood.
10-17-18 Albany II web

SET 1Crowd ControlChalk Dust TortureAll of These Dreams > Wolfman’s Brother > Scent of a MuleNICU > GumboSteam > I Didn’t KnowBathtub Gin

SET 2Set Your Soul Free > Birds of a FeatherMercury > LightThe WedgeWading in the Velvet SeaWilson > Slave to the Traffic Light

ENCOREJulius > Rocky Top


 

Prints/ Digital files available in my shop

Also available: Setlist and poster sets! Grab all of them and save!

Albany Run - Copy

Setlists/notes © 1990-2018  The Mockingbird Foundation, Inc.

Phish Summer 2018 Series- Dick’s

The 11th and final print in my summer tour series. Inspired by the Swedish poster for “The Invisible Boy” (1957) by Boheim/Werle.  This was tricky to finish up, with the craziness of Camden, Merriweather, Curveball (RIP), and starting back up at school. Being a teacher gives me the summer to focus on prints, but this one was right in the middle of a busy time of year.  I was stuck on a idea, and ended up bailing on a couple.  My search for the right poster led me to foreign posters for American movies, and eventually I found some Swedish made posters.  The work I found were amazing, inspired themselves from the American movie posters.  This print was a different style than what I had done all summer, and required some different processes.  The images were drawn and inked, then scanned.  Certain parts of the images were drawn and colored digitally to match the original, and the background was watercolor and acrylic.  The final image then digitally arranged.  Prints are 13×19 on cardstock, signed and limited to an edition of 150.  Prints are currently available for sale in my shop: www.joseeen.etsy.com 

 

 

Dicks web

 

 

 

Phish Summer 2018 Series- Curveball

The 10th print in my summer tour series. Inspired by the Spanish poster for “It! Terror From Beyond Space” (1958).  This was the toughest print for me to create.  This one took me the longest to create, apart from the pressure of making it a good one (it felt like a lot of people were waiting for this one).  I had almost finished it up when I decided to start over and create a new version.  Lots of time was spend painting sloth fur, as well as even more time fixing it digitally.  Being self taught, I’m pretty sure there’s an easier way to do all the things I do in Photoshop!  As always, the images are all drawn, inked and watercolored, then scanned and digitally arranged. Prints are 13×19 on cardstock, signed and limited to an edition of 150.  Prints are currently available for sale in my shop: www.joseeen.etsy.com , and will be available on lot before the shows.

curveball web

Phish Summer 2018 Series- Merriweather

The 9th print in my summer tour series.  Inspired by “The Mummy” (1959).  This was actually the first one I did in the series.  I was creating a bunch of sketches for ideas at the time, and the Mummy/Merriweather seemed to work out well.  The poster was based off several of the Mummy posters, and of course, the song Tube was in my head the whole time I was working on it.  As always, the images are all drawn, inked and watercolored, then scanned and digitally arranged. Prints are 13×19 on cardstock, signed and limited to an edition of 150.  Prints are currently available for sale in my shop: www.joseeen.etsy.com , and will be available on lot before the shows.

MPP web

Phish Summer 2018 Series- Alpharetta, GA

The sixth print in my summer tour series.  For the Alpharetta shows I was inspired by the iconic poster for Attack of the 50 Foot Woman (1958) by Reynold Brown.  By the time I got to this print, I felt way more comfortable working in Brown’s style and decided to change things up a bit. Although I drew the background true to the original, I replaced the 50 ft Woman with a llama, mainly because I found it humorous.  The background was once of the most complicated to draw, with so much going on.  As always, the images are all drawn, inked and watercolored, then scanned and digitally arranged. Prints are 13×19 on cardstock, signed and limited to an edition of 150.  Prints are currently available for sale in my shop: www.joseeen.etsy.com , and will be available on lot before the shows.

Alpharetta web

Phish Summer 2018 series- Austin TX

The fifth print in my summer tour series.  For the Austin show I was inspired by the poster for The Giant Gila Monster (1959).  This was a simple one, basically a recreation of the original poster that I hand drew and colored.  I used lyrics from Shafty, since they were similar to the poster quote (“Only Hell could could breed such an enormous beast!”)  Prints are 13×19 on cardstock, signed and limited to an edition of 150.  Prints are currently available for sale in my shop: www.joseeen.etsy.com , and prints will be available on lot before the show.

austin web